1. Warming up with a performance of Lucky's speech and entertaining few questions about Lucky
- How is Lucky "lucky"? In other words, how is his suffering less than that of Didi and Gogo?
- To what extent is his name ironic? Or, how is he suffering more than Didi and Gogo are?
- Find one specific detail that we know about Lucky (the rope, the baggage, his movements, his speech, his relationship to Pozzo, etc.) and offer a reflection or question about it.
From shmoop: "At least Lucky can see the rope around his neck. Vladimir and Estragon can’t."
2. Acting out Waiting for Godot, end of Act 1 and beginning of Act 2
3. Getting together with your Companies to hone your understanding of Godot (10-15 minutes)
3. Getting together with your Companies to hone your understanding of Godot (10-15 minutes)
- At your own pace, click through these slides on the Theatre of the Absurd (and/or conduct your own search of Absurdism).
- As a group, discuss what the Theatre of the Absurd is, and how you see elements of Absurdism playing out in Godot so far.
- What does this background help you understand about Waiting for Godot? What are you wondering?
HW:
For WEDNESDAY: Please complete and print your rough draft before class.
For WEDNESDAY: Please complete and print your rough draft before class.
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